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Would I Lie to You?

8/31/2025

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I was reintroduced to the contrasts between the words ‘Verity’ and ‘Verisimilitude’ during a recent writing workshop. Where verity is a true principle or belief—the truth, verisimilitude is defined as the appearance of being real or true.

In writing, I aim for a kernel of veracity surrounded by a thick coating of verisimilitude. Stories don’t need to be truthful, but they do need to be believable, or believable enough that the reader will suspend their disbelief for the duration.

So, is there a need for verity in fiction?

It could be argued that historical fiction and hard science fiction require a degree of verity. After all, history is known, and science is factual.

But are they?

What’s known about history, is what’s reported. So, the truth of history is focussed in the hands of those who recorded it, and those who interpret it. We’ve all heard the well-known phrase “history belongs to the victors” so, how much do we trust those victors to accurately report all aspects of an historical event?

This brings us to another V-word, ‘Veracity’, or the quality or state of being truthful or accurate.

As a scientist, I understand that the truth changes over time. We adjust our accepted ‘truth’ as we learn more from the scientific process of research. I also know that how data are treated and interpreted can be influenced by our own perspectives. That’s why it’s important in that research is verifiable and repeatable so that others can verify the veracity of the researchers. This is achieved by testing the same hypotheses using the same methodologies or questioning those hypotheses and methodologies through vigorous debate (NB Reckons are not research, and doing a quick search of the internet is NOT fucking science!).

I’ve just read an interesting article by zooarchaeologist, Emily Lena Jones, in which she states that, “What we think we know about Neanderthals is always changing.” What she’s saying is that as we make more discoveries, we adjust our world view and the truth changes.

In fiction, writers will sometimes use an unreliable narrator, to deliberately mislead and confuse the reader. I would argue that, to some extent, all narrators are unreliable. A couple of months ago, someone told me that something was ‘true’ because she remembered it happening. Maybe she was right and did remember it correctly but, it wasn’t the same truth as mine.

Not only can our perspective on a single event be very different but, we can hold false memories.

For example, I have ‘memories’ of running across a lawn, over a road, through some sand dunes and disappearing into the distance along an empty surf beach. Those memories come with no sensations or feelings, and they play in my mind like a black and white movie seen from afar. That’s because, I was a toddler, and I don’t remember what happened at all. I’ve just been told the story so many times, that I’ve internalised it as a memory. Is it a true story? I have no idea—but it’s my truth.
​
My conclusion is that verity is a slippery and changeable beast and as a writer all I can aim for in my stories is verisimilitude. So, while today’s ‘truth’ is that it would take a spaceship about 600,000 years to travel the 31 light years to the planet Gliese 357 d, in my current project the trip will be MUCH faster, and you’ll believe it because I’ll make it appear possible. And, would I lie to you?
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Publishing and me

12/14/2018

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​I can now report that pushing the ‘Publish’ button is both a terrifying and exhilarating experience for a first-time indie writer. It's an action I delayed through fear for such a long time. But now it’s done and I'm wondering why I was so hesitant.
I won't lie and say that Gods of Fire hit the market hot and flew off the e-shelves like a rocket. It didn't. For a solid 48 hours I sat at a single sale. I knew who bought it and I love her for it (and no, it wasn't my Mum). A week later, sales aren't meteoric, but a steady trickle of people have paid over their money and purchased my book.
MY BOOK.
​I still love those words. I love being able to tell people how they can buy my book. It's thrilling!
I know I haven't done the launch quite right. I didn't do a proper cover reveal, I didn't set up pre-orders, I didn't send out advance reader copies for reviews on launch, and my marketing plan consists of scribbled notes on a piece of paper that is drifting around my desk somewhere. To make matters more interesting, I launched in a week when my calendar was full of pre-Xmas social events, leaving me little time to write up material for my lovely author friends who'd offered to host me on their blogs.
I've tried not to become a one-dimensional social media publicity machine. Instead, I'm drip feeding my “buy my book" plugs in and around my usual tweets and updates, and advertising on promotional pages and feeds one at a time, rather than flooding them all at once.
I've ordered some postcards with the cover and buy link on one side and the blurb and my bio on the back. I intent to drop them around the cafes, restaurants and shops I frequent. I'm also planning to send press releases to a few of the local newspapers, not sure how successful that'll be, but no harm trying!
I'm not driven by best-seller lists, what I want is to find my readership and achieve steady sales to people who will come back for more.
I'm sure I've made some standard rookie mistakes, but I've published my book and am building my confidence and gaining experience, so I do it better for the next one. This is my marathon, not my sprint.
But...if like 1000 of you decide to buy Gods of Fire tomorrow, read it and leave a review, then I'll be delirious with joy!


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Highland Pursuits

3/5/2017

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I'm thrilled to share with you that Emmanuelle de Maupassant (one of my favourite authors) has launched her saucy 1920s romance romp: 'Highland Pursuits’.
 
1920s debutante Lady Ophelia Finchingfield is banished to wildest Scotland to come to her senses, having refused a proposal from the Earl of Woldershire. In the care of her eccentric grandmother, Ophelia is soon caught between rugged widower Hamish and the villainous Comte de Montefiore.
 
She’s ready to play with fire, but will she burn more than her fingers?

'Highland Pursuits' draws inspiration from a short story of the same title Emmanuelle wrote for the charity fundraising anthology Because Beards: all proceeds from the anthology were given to the Movember Foundation.
 
This longer, novella, length offers more scope to explore the wonderful characters' eye-popping shenanigans. Hamish and Ophelia were in Emmanuelle’s dreams for many weeks, as she wrote this story. 

 In celebration of the launch, Emmanuelle is not only offering three signed paperback copies, via Goodreads here, but has her entire catalogue on sale for 99c/99p from March 1st-8th: Baby Love, Scarlet, Cautionary Tales and Gentlemen's Club (as recommended by Stylist Magazine)
 
 What readers are saying
 
  • I can’t tell you how much I love this book. It was a true delight to read. The author has captured 1920s Britain wonderfully, and her detail is exquisite. – Rachel De Vine 
  • As a comedy of manners, this is exceptionally well done. – Fionna Guillaume 
  • Highland Pursuits is a wry, clever, incredibly sexy romp… a completely engrossing, utterly enjoyable read. I can't recommend it highly enough…fabulously fun - Malin James
  • The scene was set beautifully… I felt like I went back in time to high society Scotland - Christine of Sweet and Spicy Reads
 
  
Find 'Highland Pursuits' on Goodreads  and for sale on Amazon
 
Pssst…  if you enjoy Highland Pursuits, don’t forget to leave a review. Reviews make books more visible online, bringing new eyes. If you're on Twitter or Facebook, tag Emmanuelle in your review post and she'll say hello (she's sweet like that!). 
 
How to find Emmanuelle on Social Media...
 
Explore Emmanuelle’s website here
Find her on Twitter here
and on Facebook here
sign up for Emmanuelle’s newsletter here 


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  • Home
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      • A Night Before Xmas
    • Published Stories and Poems
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